Tagged: Nikkor

Nikon have just announced an updated version of their 80-400mm 5x telephoto zoom lens with Super ED glass and Nano Crystal Coat. It also has a revision of their VR (II, not the latest III) technology and a different lens design from its predecessor in further reducing CA. Whilst I can’t confirm this on Nikon’s website, others have reported the new lens to have weather sealing…?

Lens construction:
20 elements in 12 groups (including 4 ED glass and 1 Super ED glass elements, and Nano Crystal Coat)
17 elements in 11 groups (3 ED glass elements)
Due it’s IF motor it will now AF on all the consumer Nikon DSLR’s as well as the Pro-Sumer and Pro FX models.
DX D40, D60, D70, D80, D90, D2x, D2xx, D3xxx, D5xxx, D7xxx, D300, D300s
The reach on DX is an effective 120-600mm from f/4.5 to f/5.6 on DX. An ideal reach with an additional stated 4 stops of VR effectiveness.
FX D700, D3, D3s, D3x, D600, D700, D800, D4.
On today’s High ISO Low Noise sensors and the stated improvements of Super ED coated lens I’m keen to see the results. Even on FX it should be a useful all round lens for those who do not have the $5000+ for a prime.

03/2013: AF-S 80-400mm f/4.5-5.6G ED VR2

06/2001: AF 80-400mm f/4.5-5.6D ED VR1

 

 

 

 

 

 

To quote Nikon:

The Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR Lens is a telephoto zoom lens that is compatible with both FX and DX-sized image sensors. This lens features an extensive zoom range that encompasses both portrait lengths and long-reaching telephoto lengths to suit working with a variety of subjects.

The lens construction integrates one super ED (extra-low dispersion) and four ED glass elements to help minimize chromatic aberrations throughout the zoom range and also contribute to higher image sharpness, clarity, and color fidelity. A Nano Crystal Coat is also applied to individual lens elements to help reduce surface reflections and prevent lens flare and ghosting for greater overall contrast and light transmission. Built-in Vibration Reduction image stabilization also lends itself to producing sharper imagery by compensating for the effects of camera shake up to the equivalent of four shutter speed steps. Additionally, a dedicated VR setting for tripods is available for producing the sharpest imagery possible without countering the effects of the image stabilization system.

The MTF graphs look very promising & I trust real world use on today’s 16, 24 and 36MP DSLR’s provide exceptional results.

MTF Chart: Wide

MTF Chart: Tele

 

 

 

 

 

 

 

Brochure

Click here to see the full spec on Nikon’s Website and here for sample images.

Order yours at B and H Photovideo

In order to satisfy my penchant for environment images and not just in your face portraits I decided to have a crack at this PKF taking off from his perch. The bird was +/- 30 paces away. There were two other togs seated next to me one with a new Nikon D800 and both with Nikkor 500mm f/4′s and they refused to take this shot as it was “too far away”… A 36MP Full Frame Camera and a R 60,000.00+ “Professional Lens”. Good Grief :) … and here I am with a DX Nikon D7000 16MP DSLR and (admittedly) a very sharp Sigma 100-300mm f/4 (effectively a 150mm-450mm) making it work for me, with some cropping. It’s not as pixel peeping crisp as it might be if I were sitting on the branch :) but it will print nicely and hang on my wall.
At least my image (below) will be unique online :)

Pied Kingfisher in full flight with carp. © Harvey Grohmann 2013 All Rights Reserved

Pied Kingfisher in full flight with carp © Harvey Grohmann 2013 All Rights Reserved

Shot details: Nikon D7000 and Sigma 100-300mm F/4 EX IF HSM @280mm.
ISO-800 | f/8 | 1/5000s | EV -1.7 | Post Processing in part with Topaz Labs.
Bean Bag.

Gear I use: Bodies: Nikon D-SLR’s / Lenses: Nikon, Sigma, Tokina, Vivitar
Filters: Hoya UV & Polarizing / Flash: Nikon Speed-lights / Bag: Lowe Pro
Tripods & Heads: Manfrotto / Grips, Triggers, Timers, Batteries etc: BandH
Editing Plug-in: Topaz Labs Noise Reduction, HDR, B&W Conversion & more!

ALL IMAGES ON THIS SITE ARE © Harvey Grohmann. Read more for Terms and Conditions:
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Nikon has announced it’s latest model, the 24Mp D600, the smallest, least expensive ($2099-00) FX Full Frame DSLR on the market, aimed directly at enthusiast photographers but well capable for Photojournalists and Wildlife togs too. I’m drooling! The D600 has a new  24MP, 36x24mm, CMOS sensor and is loaded with many of the features of the pricier D800 into a body not dissimilar to the DX D7000. This makes the 4th Full Frame model released by Nikon this year. The others being the D4 (24MP), the D800 and the D800e (both at 36MP). It remains to be seen how effective it’s sensor is at maintaining low noise at high ISO shooting.

Nikon’s new Full Frame D600

It’s viewfinder features 100% coverage and a 39-point autofocus system, nine of which are cross-type points. It captures 1080p HD video at 30, 25 or 24 frames per second and can stream uncompressed footage out over the HDMI port. There is also an optional WU-1b Wi-Fi unit allowing the camera to be controlled remotely from an Android or iOS device. It uses an MB-D14 Multi-Power Battery Pack and EN-EL15 Rechargeable Li-ion Batteries. It also has a built-in flash which is uncommon in Nikon’s FX range.

24.3MP Full-frame CMOS sensor (10.5MP DX-format crop mode)
ISO 100-6400 (expandable to ISO 50-25,600 equivalent)
Maximum 5.5fps continuous shooting
39-point AF system with 9 cross-type AF points
1/4000s max shutter speeed
3.2in 921k-dot LCD screen
1080p30 full HD video mode with stereo sound recording
Headphone jack for audio monitoring in movie mode
Uncompressed video recording via HDMI
Dimensions: 141mm x 113mm x 82mm (5.5 × 4.4 × 3.2 in).
Weight: 760 g (1.6 lbs) (camera body only, no battery)

The D600 will list at $2,099 body only or $2,699 with the AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR lens and will be available from BandH New York from September 18th.

The D600 on Nikon’s web site.
D600 full specifications.
Sample images at Nikon’s web site.
Download the PDF brochure here and user manual here.
Here is a hands-on preview at DP Review.

Contact me for tuition, workshop tours as well as event photography!

Gear I use: Bodies: Nikon D-SLR’s / Lenses: Nikon, Sigma, Tokina, Vivitar
Filters: Hoya UV & Polarizing / Flash: Nikon Speed-lights / Bag: Lowe Pro
Tripods & Heads: Manfrotto / Grips, Triggers, Timers, Batteries: Phottix
Editing Plug-in: Topaz Labs Noise Reduction, HDR, B&W Conversion & more!

I spotted this gent at a recent airshow. About 30 meters away. He came across as an ex military man, perhaps down on his luck but still proud.

Chiseled

Chiseled – (c) HarveyG Photography

Shot handheld with a 1996 Sigma 170-500mm f/5-6.3 APO Aspherical for Nikon (AF-D). Who needs VR?! You can pick a 2nd hand one up for R4000-00 ($550-00 / £400-00 / EUR 400-00) or so. About 1/2 that of the new Sigma 150-500mm f/5-6.3 DG OS HSM APO Autofocus Lens never mind the price of a similar Focal Length zoom or prime from Nikkor or Canon.

Sigma 170-500mm f/5-6.3 APO Aspherical for Nikon

Silkmoth, Bombyx mori

Silkmoth, Bombyx mori

OK. So you have a yearning to try Macro work? Ladybugs, Mantids, Flowers or anything else that springs to mind. But that $1000.00 105mm f/2,8 VRII Macro Lens is just a little beyond the budget? You should have gotten an 18-55mm Kit lens with your DSLR or you have a nice 28-70mm f/2.8? Your not sure if spending so much money will be worth it? There are a number of solutions. You can buy an adaptor ring or reversal ring, which mounts into your DSLR body and the other end is threaded so that you can reverse your lens and screw it into the adaptor. This effectively turns your lens into a macro lens. Sure there will be no metering. Focus and exposure is manual and you will have to determine the correct exposure, by trial and error. Set mirror lock-up and use the best tripod you can afford. A small shutter release is also a definite must. All of which prevent camera shake and blur. So choose an object that is stationary, like a coin, or flower or rings. This reverse ring will cost you all of maybe $25-00. Don’t like it? Too much effort? Then macro is probably not for you. You see, even with a dedicated Macro lens you will eventually only manually focus. Focus and composition is so critical on macro’s that you can’t let the camera’s AF do it for you. Whilst the exposure is auto on such a lens, you might sill need to add flash or fill light to your subject. Trust me, its better to set that up manually too, you will want to control the light direction and intensity more often than not, meaning off camera flash. iTTL or eTTL is pretty pointless then, unless you insist on running it using an ext cable. There are many online macro tutorials, all I’d like to say here is go cheap first. Go manual. You have more control and if you find that going from stationary objects to moving beetles or bees becomes near impossible, yet you are still keen to try, then go for a few extension rings. You get manual and automatic version of this. If you can afford it, take the auto’s. It’s one less thing to worry about when you start chasing live subjects. Sure you can throw the bug into the deep freeze for 5 minutes and haul him out in a state of narcosis, but you don’t have a fridge in the veld 100 miles from home. So you need to practice before you hit the road.

This image was shot with a set of Phottix AF Macro Tubes coupled to a Sigma 28-70mm f/2.8 EX DG and a YongNuo YN-460 II Speedlight that was fired with a set of Phottix Tetra Triggers and an IR Remote Control. Outlay for flash, AF ext tubes, batteries, triggers and IR RC (excluding camera and lens) about $390-00 vs a dedicated 105mm f/2.8 VR macro lens of about $1000-00, no flash or batteries…

A word of caution, the smaller macro lenses around 40/50/60mm tend to minimum focus (1:1) TOO close to the subject. The front element is literally a few cm’s or even a few mm’s away from the subject, and if it’s a live subject, it’s scared off long before you can focus. This is true for extension tubes combined with normal short tele lenses. But at least you haven’t made a $700-00 to $1000-00 mistake.  This then is the attraction of the huge 180mm Macro’s. 40cm / 18″ closest focusing distance but thats one huge chunk of glass, and thus heavy to lug around. In everything there are compromise, especially photography.

If you are going to buy a real macro lens, also don’t bother with those 70-300mm “macro” lenses. You normally don’t get 1:1 lifesize ratios, they tend to be 1:2 or often 1:3. Maybe you have one of these lenses. Go right ahead, switch it to macro and try it. Not what you expected right? If macro is for you, get at least a 100mm (Canon) or 105mm (Nikon) mount from Canon, Nikon or Sigma. I use a 180mm f/3.5. It’s a chunk of glass weighing in at 2.1 lbs (965g) and no OS/IS/VR. (ETA: Sigma have released an OS f/2.8 version in Jan 2012.) Tripod only unless you have arms like Arnold…which I don’t! But it’s closest focus distance is 18″ from the subject. Get something in the 100-150mm range. Thank me later :)