Photography 101
Monitor Calibration
by Harvey G (Photocommission.com) on Mar.01, 2012, under DIY, Photography 101, Tips-Tricks
There are 1000′s of monitor types, sizes, brands and various ways to get them displaying colour accurately. Cambridge in Colour explain it far better than I can:
Knowing how to calibrate your monitor is critical for any photographer who wants accurate and predictable photographic prints. If your monitor is not correctly reproducing shades and colors, then all the time spent on image editing and post-processing could actually be counter-productive. This tutorial covers basic calibration for the casual photographer, in addition to using calibration and profiling devices for high-precision results. Furthermore, it assumes that tossing your old monitor and buying a new one is not an option.
Ideally an IPS panel (In Plane Switching) is what you should be striving (saving?) for. Locally they are scarce but I can source them for you. ASUS, Dell, Viewsonic are popular brands. If you’re a MAC/MACBook user recent Apple displays are all IPS based (within at least the last 5 years). It’s even valid when purchasing cellular/mobile phones. LCD, IPS, AMOLED etc.
If you can’t for whatever reason justify an IPS panel, tweak the monitor you have on your desk (or the laptop) using this software tool. Don’t skimp on this. It isn’t costing you a cent and your images will be judged on “my” monitor with the same or near identical colour warmth, overall temperature and brightness, contrast as what you saw and edited your image for, on your monitor.
The test images are best viewed in a dim or dark environment and in full-screen mode. In most browsers, F11 switches to full-screen mode, and F11 back to windowed mode.
Age, size, type of screen, CRT, LCD, IPS, LED are all different technologies. Take 15 minutes of your time and calibrate!
It could mean the difference between image on the far left vs the far right!

Cambridge in Colour Monitor Calibration Tutorials | Lagom Online Calibration Tool
Other Calibration Tools:
Lightly Killed and Crispy Fried (Monty Python)
by Harvey G (Photocommission.com) on Jan.16, 2012, under Flora and Fauna, General, Macro, Nature, Photography 101, Portfolio, Published, Road Trip, Sigma Photo, Wildlife, Workshop
I lay flat on my stomach for an hour watching this guy catch his lunch during a workshop/getaway in and around Hoedspruit, Limpopo, South Africa. Used a Sigma 100-300mm f/4 APO EX DG APO HSM full-frame non-stabilised lens on the D90 (Sadly it is discontinued by Sigma as they have replaced it with a 120-300mm f/2.8 and I’m counting pennies ;p ) This gives me the effective range of 150-450mm on the DX small-frame sensor of the D90 (remember the D90 has exactly the same sensor as the D300s). Distance to subject about 180 cm / 70.9″ right at the cusp of closest focus. A “kit” 70-300mm f/4.5-5.6 would also work as long as it’s the DG (full frame) that has that extra reach, and not the DC 18-250mm version. I shot a lot of my early work with 70-300mm f/slows and they are very versatile. A 55-200mm VR or any equivalent new 70-300mm VR DX/OS DC lens will work, but you have to get closer and often these subjects have a personal space of a few meters.
Note the low POV. Critical in getting more powerful images. I wished more people would do that with their pet images on Facebook!
The lizard polished off at least half a dozen insects and larvae in one hour. They are so fast that by the time he’s scampered to catch the fallen insect he’s half swallowed it already before you get a shot. You have to be spot on with focus and constantly alert. Shutter priority is the way to go and once you have mastered that go aperture priority but keep an eye on the shutter speed. At least double the speed of the maximum focal length of your lens to get a sharp unblurred image. In my case that would be 1/1000th (300mm full frame lens x 1.5x crop factor = 450mm x 2 = 900). A bean bag is handy as this big lens weighs 1480 g / 52.2 oz, and gets harder to hold as time goes by, however the POV is then slightly higher and perhaps not as powerful a shot.
ETA 2012/01/19: ID just in! Thanks to to Trevor from Hardaker.co.za Common Flat Lizard (Platysaurus intermedius) Possibly male.
Watching him snack bugs reminded me of The Crunchy Frog sketch by Monty Python:
Happy New Year 2012
by Harvey G (Photocommission.com) on Jan.09, 2012, under Flora and Fauna, General, Print for Sale, Road Trip, Wildlife, Workshop
Well it’s back to the grindstone for most of us. Hope you all feel refreshed like these little guys and have a fabulous 2012!

Splish Splash - Crowned Lapwings aka Kiewiet (c) H Grohmann photographed during a Workshop at Rietvlei NR
and all those togs that can afford the new Nikon D4 should have a blast at the Olympics with it this year.
Rietvlei Nature Reserve – Pretoria
by Harvey G (Photocommission.com) on Nov.20, 2011, under Bird Sanctuaries/Hides, eShop, Flora and Fauna, General, Locations, Nature, Park, Portfolio, Print for Sale, Resort, Road Trip, THL, Training, Wildlife, Workshop
Photographic Workshops:
Rietvlei is a hidden gem in close proximity to Pretoria (18km’s) and Johannesburg (38 km’s from OR Tambo Int. Airport). The reserve covers an area of almost 3800 hectares (38km²) and can support between 1500-2000 head of game. Currently some 1,600 head of game, including blesbuck, black wildebeest, red hartebeest, eland, Burchell’s zebra, waterbuck, reedbuck, springbuck, mountain reedbuck, steenbuck and grey duiker can be viewed here. There are other species but visit and find them for yourself
From your own vehicle it is easy to spot these animals on the open endangered Bankenveld grassland plains. It is a relatively quiet unhurried reserve and well worth a full days visit. Rates are very reasonable.
The 60 km’s of tar and dirt roads in the reserve are fairly well maintained and serve for game viewing, park maintenance and for fire breaks in winter. Whilst a normal sedan can easily be driven around on the tar and most of the sand roads, there are some sections that require a vehicle with higher ground clearance. In the wet summer months I found that a double cab / bakkie with 4×4 or difflock capabilities allowed me to get into the odd area that I would not have gone with a family sedan due deep muddy ruts or washaways for fear of getting stuck. This is however the exception rather than the rule. Roads divide the reserve into 31 blocks and are well marked. A map, bird list and rules of the park are given to you when booking in. Rotation grazing is practised on the reserve by routinely burning blocks and using licks as supplementary feeding.
4 well located Bird-hides (2 on Rietvlei Dam and 1 on Marais Dam with the 4th one centrally located on marshland) and 2 main picnic areas with braai facilities are situated along these roads. There is also a very special river crossing called Otter Bridge with some wonderful wildlife (I won’t spoil it for you, go and check it out). (continue reading…)
Bird Photographers – Code of practice
by Harvey G (Photocommission.com) on Nov.07, 2011, under FAQ, General, Humour, News, Photography 101, Tips-Tricks
Actually any wildlife tog should have a mental code of practice…
I’m the first to admit that I am not the world’s biggest twitcher. I battle to identify many of the obscure lesser seen species, especially those darned LBJ’s (how many do we have?!) and Eagles perched in a tree 400m away or soaring in the sky… I don’t race around the countryside looking for that elusive species. I don’t make use of playback vocalisations to call them in. I go. I see what I see. I’m happy to be out there, no just so that I can tick it. I carry a few bibles with me and I always ask someone who knows better than I especially the bloke with the monster prime lens
Mind you, I’ve spoken to some who couldn’t tell the difference between a Heron and a Hadeda but they had all the latest gear and best glass, bodies…and bank manager!
My friend David from Seokama can identify LBJ’s and others from their calls without even setting eye on them. The yellow what-sit pictured (L) was hastily photographed there out the car window before it took off. Terribly handy to have Dave on my workshops with me
I do try to be as unobtrusive and non-invasive as possible. I often miss shots because of this. Or I’ll let someone else push his way into the hide before me to race off and grab the best seat…even though he and his entire family arrived after me…I know that, by them being the impatient kind & pushing me out of the way, if they don’t at least see 14 elephants at the hide followed by a Leopard and her cub with a kill in a tree, they’ll be outta there before I even set up my gear…aaah peace
The last time this happened to my wife and I (Lake Panic, KNP), she spotted 2x and I spotted 1x Bushbuck right next to the hide alley. We stood silently and let the noisy Homo Sapiens pass us, and then resumed watching the buck feeding… The previous time it was at a hide near Satara, and 2x Klipspringer were so close to the viewing window we could touch them, but half a dozen holiday makers came and went in 5 minutes without even spotting them. The rest of us were going to mention it to them but they never gave us a chance
/end Rant
Once in the hide, I did get some great shots of a croc eye abstract and a terrapin taking a piggy back ride on a hippo and the Klipspringers. The birds were a bit shy but we did see a few. A bad day in a hide beats a good day at the studio.
Here’s a few tips (saves me typing them) from BirdGuide.com and most of this is common sense, but even that’s not so common any more
Be patient and be thoughtful of nature first and others second. Your photo album will love you for it! So will the critters. So will I when we share a hide in Africa somewhere
Take a plastic bag for your own rubbish. I’ve often cleaned up others rubbish and tossed it at the camp or the next stopover.
PS: So what bird IS that above? PPS: What tree IS it sitting in?
I know, do you?
Seokama Private Camp and Lodge. Waterberg, Limpopo.
by Harvey G (Photocommission.com) on Sep.08, 2011, under Bird Sanctuaries/Hides, Flora and Fauna, Flowers and Plants, Land/Seascape, Landscape, Locations, Lodge, Nature, News, Portfolio, Road Trip, Sunrise / Sunset, THL, Training, Wildlife, Workshop
Photographic Workshops:
I’ve had the good fortune to travel around Africa on my photo tours/workshops and see many camps, lodges, parks, hotels, conference centres and the like. There are only a handful that are memorable and make you want to return time and again. Not just the scenery, wildlife, facilities and peacefulness but what really makes the difference is the people. Seokama is one of those rare places where you can relax with family and friends and truly feel at home.
At the beginning of, and throughout the summer I visit Dave, Monika, Peter, Ryan, John and Tepa. The Waterberg is one of my favourite bush-veld getaways. Whilst there are dozens of lodge choices in the area, I occasionally need some escape from the pressure of only chasing the Big 5 for clients and not focussing on the other wild and birdlife, scenery that Africa has to offer.
Seokama Private Lodge is this escape.

Lodge Building. Seokama Private Lodge.

Sunrise

Vista

African Sunsets
Within walking distance from the lodge, 4 luxury canvas tents sleeping 8 on very comfy beds, each one with a covered verandah and an en-suite bathroom where the shower overlooks the bush at the back (just your head is visible!). A well appointed lodge with kitchen, lounge, bar and pool deck with views of the bush-veld savannah tucked amongst some beautiful mountains and landscape, a boma with Bush-Baby’s calling at night, has all one really needs to wind down. There is also a conference centre for hire, with facilities. Seokama has an abundance of bird life, especially around the summer rainfalls, as well as a good variety of game..
















