Category: Published

Those who follow me (FaceBook, Twitter, Flickr) will know I’ve been trying to get a magazine quality shot of this beautiful bird showing it’s full iridescence for some time. It came together last week.

(Phoeniculus purpureus)

Green Wood Hoopoe © Harvey Grohmann

They seldom sit still as they constantly dig under bark looking for moths, insects and larvae. Naturally this is done under a canopy of leaves from the tree they have targeted so they are often in the shade. Only sunlight reveals their amazing iridescence which is scant considering the umbrella they have above them. They’ve been near impossible to photograph unless you are in the exact right place, right time and they don’t see you. I Leopard crawled behind him to get this shot.

The Green Wood Hoopoe (Phoeniculus purpureus) is a large, up to 44 cm long, near-passerine tropical bird native to Africa. It is a member of the family Phoeniculidae, the wood Hoopoes, and was formerly known as the Red-billed Wood Hoopoe. They are common but are constantly on the move and very wary. They have the most fabulous laughter/call and are very sociable birds.

The Zulu’s call them “Ntlheki bafazi” because they make such a racket when hunting, searching for bugs. This translates to the “chatter of noisy women” :) I can vouch for that!

They swoop fly, meaning there is a fair amount of vertical up and down movement as they beat their wings and BiF images are also quite difficult to get.

They are my favourite bird of the 800+ species found in Southern Africa.

Wildlife photography is an insular pursuit. Often selfish. In order to excel you need to be “alone”. No other distractions. I can name a number of colleagues who would no doubt agree, based on their blog writing, style and consistent quality of their work. Occasionally we work with another photographer who also understands the demands 100%. This is not to say that we don’t enjoy shooting with clients, friends and family but let me take you through the requirements to get what looks like an easy shot…and perhaps the fact that it looks like just another bird on a tree, casually peering into the distance, unperturbed and patient.

Easy shot right? Perhaps the fact that it looks so easy, casual, is why it scored a mediocre 42/90 in a recent DPC Photo Competition. There was no one at the “office”. Everyone was out. Working on the PC, I can see outside to the forest. I heard the birds before I saw them, grabbed the camera/lens combo (always ready and waiting) and snuck outside, hit the deck and leopard crawled up to a raised area, where 90% of my body was hidden from the birds. Took off my jumper and rested the camera on top of it as a form of bean bag. Pushed the ISO t0 1600 as I was using a 100-300mm f/4 with a TC x1.4 and began shooting. With no distractions I was calm and methodical. Timing shots. Waiting for specific movements of the birds, body language etc. Something you can only do if you have watched them as often as I. Predictive photography, especially with WILD-life gets results. Good gear helps too as does thorough working knowledge of that gear.

Shot details: Nikon D7000 | Sigma 100-300mm f/4 EX HSM OS @420mm with Sigma TC 1.4x
ISO-1600 | f/5.6 | 1/800s | EV +0.3 | Hand Held but resting on jumper.
Post Processing in part with Topaz Labs
Location: @ Midrand, South Africa.

Gear I use: Bodies: Nikon D-SLR’s / Lenses: Nikon, Sigma, Tokina, Vivitar
Filters: Hoya UV & Polarizing / Flash: Nikon Speed-lights / Bag: Lowe Pro
Tripods & Heads: Manfrotto / Grips, Triggers, Timers, Batteries etc: BandH
Editing Plug-in: Topaz Labs Noise Reduction, HDR, B&W Conversion & more!

ALL IMAGES ON THIS SITE ARE © Harvey Grohmann. Read more for Terms and Conditions:
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I’ve photographed motor-sport on & off for some years for fun, starting with races at Kyalami in the early ’80s but had a long hiatus. Thanks to my friendship with Paul Blackburn of RacePics I’ve started to get back into it. The joy of being in the pits at Zwartkops Raceway, talking to drivers, mechanics, friends & photographing their “wheels” has rekindled my interest.

Zwartkops Raceway, Centurion, GP, RSA

“Vlam Gat” – Lotus Exige #79 © Harvey Grohmann 2013 All Rights Reserved

Shot details: Nikon D7000 | Sigma 70-200mm f/2.8 EX HSM OS @185mm
ISO-200 | f/4.5 | 1/1250s | EV -0.0 | Hand Held
Post Processing in part with Topaz Labs.
Location: Zwartkops Raceway, Centurion, South Africa.

This is one of those images that is planned, timed and panned-Note that the rear of the car is in shade :) Whilst with high FPS DSLR’s you could no doubt achieve it by simply holding down the shutter release, I took 3 passes and 3 frames to achieve it, each of the 3 passes with a usable flame and image. I have submitted to Tudortech; the South African Sigma agents for publication in their nationwide in store promotions. Hope you like it as much as I do.

Photographically speaking it is quite challenging to get shots that do NOT need lengthy editing in Post Production so your technique, framing, timing, camera knowledge, lens type(s), image emotion, character and location are critical. This doesn’t come overnight. Look at Paul, Deon and Dirk’s quality images over at RacePics.

Gear I use: Bodies: Nikon D-SLR’s / Lenses: Nikon, Sigma, Tokina, Vivitar
Filters: Hoya UV & Polarizing / Flash: Nikon Speed-lights / Bag: Lowe Pro
Tripods & Heads: Manfrotto / Grips, Triggers, Timers, Batteries etc: BandH
Editing Plug-in: Topaz Labs Noise Reduction, HDR, B&W Conversion & more!

ALL IMAGES ON THIS SITE ARE © Harvey Grohmann. Read more for Terms and Conditions:
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Lunch Lizard © HarveyG Photography (published on SigmaPhoto.com)

I lay flat on my stomach for an hour watching this guy catch his lunch during a workshop/getaway in and around Hoedspruit, Limpopo, South Africa. Used a Sigma 100-300mm f/4 APO EX DG APO HSM full-frame non-stabilised lens on the D90 (Sadly it is discontinued by Sigma as they have replaced it with a 120-300mm f/2.8 and I’m counting pennies ;p ) This gives me the effective range of 150-450mm on the DX small-frame sensor of the D90 (remember the D90 has exactly the same sensor as the D300s). Distance to subject about 180 cm / 70.9″ right at the cusp of closest focus. A “kit” 70-300mm f/4.5-5.6 would also work as long as it’s the DG (full frame) that has that extra reach, and not the DC 18-250mm version. I shot a lot of my early work with 70-300mm f/slows and they are very versatile. A 55-200mm VR or any equivalent new 70-300mm VR DX/OS DC lens will work, but you have to get closer and often these subjects have a personal space of a few meters.

Note the low POV. Critical in getting more powerful images. I wished more people would do that with their online pet images on social media!

The lizard polished off at least half a dozen insects and larvae in one hour. They are so fast that by the time he’s scampered to catch the fallen insect he’s half swallowed it already before you get a shot. You have to be spot on with focus and constantly alert. Shutter priority is the way to go and once you have mastered that go aperture priority but keep an eye on the shutter speed. At least double the speed of the maximum focal length of your lens to get a sharp unblurred image. In my case that would be 1/1000th (300mm full frame lens x 1.5x crop factor = 450mm x 2 = 900). A bean bag is handy as this big lens weighs 1480 g / 52.2 oz, and gets harder to hold as time goes by, however the POV is then slightly higher and perhaps not as powerful a shot.

ETA 2012/01/19: ID just in! Thanks to to Trevor from Hardaker.co.za Common Flat Lizard (Platysaurus intermedius) Possibly male.

Watching him snack bugs reminded me of The Crunchy Frog sketch by Monty Python: