HarveyG Photography

According to this MF photographer, there are limitations…

After receiving a newsletter from DP Review about the Phase One Mamiya – Leaf tie-up , one commentator, kb2zuz; (Kurt Heumiller)-USA, who shoots for the Yale Center for British Art, with a Hasselblad H3D-II 39 MS and H4D 50 MS, had this to say about the Medium Format  debate (added below for those without restricted internet access):

What are the mythical advantages of sensor size (or the often related larger pixels)? Less noise, better dynamic range, shallower depth of field. I work with an H4D every day, … I can tell you this, at anything over 50 ISO it has worse noise than any 35mm “full-frame” digital I’ve seen. It has only slightly better dynamic range (and again, that’s only at 50 ISO). Yes with the 120mm f/4 lens it will have a shallower depth of field than an 85mm lens on a full-frame at f/4, but you can get f/1.2 lenses for full-frame. Most MF lenses are f/2.8 or slower, there’s a couple f/2.2 lenses… so there goes the DOF advantage. I use medium format every day and there are reasons for it: multi-shot uninterpolated images, no AA filter, and high megapixels. That’s about it.

I’m no expert on MF, but I’ve long thought it would be better than FF or APS-C in all regards, at that sensor size, and I’ve seen jaw dropping images by MF photographers, but there are other factors I should have taken into consideration, (continue reading…)

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Many bug fixes and support for new cameras.

 

ViewNX 2 is all-in-one image browsing and editing software application for both still images and movies. It is a fun and easy-to-use application offering enhanced operation.
In addition to image browsing function, ViewNX 2 allows users to adjust image size and brightness, as well as offering new editing functions that enable cropping and image straightening for RAW-, TIFF- and JPEG-format images.  Naturally, it also enables adjustment of such aspects as white balance and exposure compensation for RAW images captured with Nikon digital cameras. Smooth collaboration with my Picturetown, Nikon’s image storage and sharing service, has also been achieved. What’s more, Nikon Transfer 2 has been incorporated into ViewNX 2 for transferring images to a computer, and functions for editing movies, including one that allows you to trim movie footage, have also been included.

Modifications enabled with version 2.2.5:

Modifications that apply to both the Windows and Macintosh versions

• Auto 2 is now available for selection from the list of White Balance settings in the Adjustments palette for RAW images captured with the COOLPIX P7100.
• An issue that prevented display of Exposure mode in the Metadata palette for images captured underwater in Easy Auto mode with the COOLPIX AW100/AW100s has been resolved.
• An Event box has been added under Description in the Metadata palette.
• Lens information is now displayed in the Metadata palette for images captured with the Nikon 1 V1 or Nikon 1 J1 using the Mount Adapter FT1 and a CPU lens.

Additional modifications to the Macintosh version

• Support for Mac OS X version 10.7 has been added.

Additional modifications to the Windows version

• An issue that prevented the editing of metadata, application of labels and/or ratings, or image rotation on some systems has been resolved.

Get it here

Rumours have been flying around for a while. Thom Hogan’s logic about the life cycle of Nikon models and their launch times makes sense as is his question as to who will buy the D4 is also pertinent as it means that delivery will not be in the 100′s of thousands. The D800 (D700 replacement) and a successor to the D300s would be more important to Nikon. The only curve ball has been the Tsunami in Japan and the flooding in Malaysia which has set them back a few months. Expect an announcement at the PMA show in Las Vegas (January 10-13, 2012).

Here are a few specs gleaned from the web (scary right?) from sources that are generally on the ball. The D4 would be competing with the Canon EOS 1Dx.

16.2 MP (18Mp?)
11 fps
Shutter durability up from 150,000 to 300,000 (A real guess)
100 to 102,400 native ISO range, expandable to 50 and 204,800
Face detection/recognition function that will work in the viewfinder (Nikon has submitted several viewfinder patents)
Improved video, possibly 1080p/30/25/24 fps and  720p/60/30/25/24 fps similar to the expected Nikon D800
Uncompressed video out through an HDMI port
Ability to assign the two front body buttons to smooth aperture control during video recording
Compatible with a new Nikon WT-5 wireless transmitter to replace the 2007 WT-4a
Ethernet integrated in camera (wired tethered shooting?)
Expeed 3
USB 3.0
Improved 51 AF points
AF detection range will go down to EV-2.0 (the D3s went to EV -1)
Autofocus system: 9 cross-type sensors operational up to f/8
Compact Flash + XQD memory card slots.

Gear I use: Bodies: Nikon D-SLR’s / Lenses: Nikon, Sigma, Tokina, Vivitar /
Filters: Hoya UV & Polarizing / Flash: Nikon Speed-lights / Bag: Lowe Pro /
Tripods & Heads: Manfrotto / Grips, Triggers, Timers, Batteries: Phottix /
Editing Plug-in: Topaz Labs for Noise Reduction, HDR.

The friendly people over at Topaz Labs have just released the new Topaz Adjust 5.
I’ve used the Beta for a week and it is simply remarkable and considerably easier to use.

If you are a Topaz Adjust 4 registered user, pop over and get v5. It’s free for you.
New users get a 30% discount with the Coupon Code “ADJUSTME”. Click here to check it out!

Simplified 1-click workflow with 107 new presets split into 7 convenient effect categories.
Intuitive 4-in-1 selective brush used to dodge, burn, smooth, and brush out adjustments.
Plus advanced edge-aware technology!
Integration of the Apply button – so you can stack multiple effects and presets during the same workflow.
Finishing Touches tab with options for warmth, grain, transparency, etc

Whilst I am no fan of comic book like Post Processing, and the web seems to be full of that, if used subtly the results are astounding: