HarveyG Photography

Canon .CR2 RAW

Nikon .NEF RAW

So you have a Canon (CR2) but want to help a friend edit or Post Process their images but can’t open or view them because they are Nikon (NEF)?

When you install your DSLR software, the codec for your brand of camera is embedded into and used by the O/S so you can view thumbnails, open and edit with your manufacturers included software, however it can’t read a RAW file from another manufacturer if that codec is not installed.

You might have bought the camera 2nd hand and the packaging/software is amiss and downloading the original software is either daunting or it simply isn’t available.

Here’s a solution:

You can download the RAW Codec Pack from a number of online resources. Solutions are to get the codecs from your camera maker, O/S House or from a 3rd party, if you have failed at finding/downloading the software from the manufacturer. Please visit each site regularly as they are updated as new camera models are released. You could also join your local camera club, as there will be a diverse collection of cameras and someone might well be willing to copy his/her install CD for you. Once installed, most s/w self-updates to the latest version.

I’ve done some of the leg work for you here > Codec links: (continue reading…)

The New Nikon D800 Offers Unrivaled Resolution and Features Designed for a Variety of Demanding Professional Photographic and Multimedia Disciplines, Videographers and Filmmakers

Nikon D800/D800E

Exciting news indeed. After months of watching and wondering, and 3.5 years after the D700, it’s here! I’ll be brief. After my debate of “Are more Megapixels better?” the D800 now sports a 36.3Mp CMOS sensor in Full Frame (FX) 35mm (35.9 x 24.0 mm). That is rivalling Medium Format…but with the choice of f/1.4 lenses where nearly all MF lenses start at f/2.8! The sensor is also completely redesigned and engineered by Nikon, and with Nikon’s legendary FX Format Low Light Low Noise characteristics, this is a leap forward in the evolution of the digital camera, especially in this format. Not just a small Mp progression…It allows unedited A1 size pictures without needing Fractal Software and amazing cropping options without degradation of pixel/image quality.

That’s a pixel density of 42,131 pixels per mm² and to all appearances it’s not at the cost of IQ, sharpness or noise, keeping in line with the high ISO, low noise tradition of all Nikon full frame DSLR’s from the D700 on up, and specifically the D3s.

(Owners of the remarkable Sigma SD1 Digital SLR Camera with the FOVEON  X3 – 46Mp will no doubt be wondering what all the hype is about…except maybe the price tag, however the SD1 has an APS-C 24 x 16mm small frame sensor and thus a pixel density of 119,791! Yes I know it has 3 stacked sensors (layers), each 4800 x 3200px but thus needs no AA filter (such as the D800E) and no coloured jaggies but with a slight increase in colour noise in low-light.)

As a reminder here are the current FX per mm² pixel densities (from my 2009 500mm Vivitar mirror-reflex-lens report):

Nikon D800/E 36,3Mp CMOS

All of the FX DSLR’s use a Nikon designed and built CMOS

D700—14,063 pixels/mm² (12.1 Mp FX 36.0 x 23.9mm)
D3 -–- 14,063 pixels/mm² (12.1 Mp FX 36.0 x 23.9mm)
D3s –- 14,063 pixels/mm² (12.1 Mp FX 36.0 x 23.9mm)
D3x –- 30,113 pixels/mm² (24.5 Mp FX 35.9 x 24.0mm)
D4 -–- 18,850 pixels/mm² (16.2 Mp FX 36.0 x 23.9mm)
D800—42,131 pixels/mm² (36.3 Mp FX 35.9 x 24.0mm)

I won’t add more tech gumf, as no doubt thousands of other blogs and websites have done so already however you can download the PDF brochure here (3.6MB) / Full D800/D800E Specifications here.

Despite all it’s new bells and whistles, this is the most intriguing and interesting aspect to me:

What is the difference between the D800 and the D800E or the D800 vs D800E? (Note: Both have the SAME resolution and SAME sensor at 36.3 Mp)

(continue reading…)

According to this MF photographer, there are limitations…

After receiving a newsletter from DP Review about the Phase One Mamiya – Leaf tie-up , one commentator, kb2zuz; (Kurt Heumiller)-USA, who shoots for the Yale Center for British Art, with a Hasselblad H3D-II 39 MS and H4D 50 MS, had this to say about the Medium Format  debate (added below for those without restricted internet access):

What are the mythical advantages of sensor size (or the often related larger pixels)? Less noise, better dynamic range, shallower depth of field. I work with an H4D every day, … I can tell you this, at anything over 50 ISO it has worse noise than any 35mm “full-frame” digital I’ve seen. It has only slightly better dynamic range (and again, that’s only at 50 ISO). Yes with the 120mm f/4 lens it will have a shallower depth of field than an 85mm lens on a full-frame at f/4, but you can get f/1.2 lenses for full-frame. Most MF lenses are f/2.8 or slower, there’s a couple f/2.2 lenses… so there goes the DOF advantage. I use medium format every day and there are reasons for it: multi-shot uninterpolated images, no AA filter, and high megapixels. That’s about it.

I’m no expert on MF, but I’ve long thought it would be better than FF or APS-C in all regards, at that sensor size, and I’ve seen jaw dropping images by MF photographers, but there are other factors I should have taken into consideration, (continue reading…)

Topaz Labs full & upgrade bundles 30% off till 01.01.2012 Click this link > TOPAZ LABS SPECIAL & use the coupon code “YearEndSavings”

Belated Christmas Gift valid till 01/01/2012

Many bug fixes and support for new cameras.

 

ViewNX 2 is all-in-one image browsing and editing software application for both still images and movies. It is a fun and easy-to-use application offering enhanced operation.
In addition to image browsing function, ViewNX 2 allows users to adjust image size and brightness, as well as offering new editing functions that enable cropping and image straightening for RAW-, TIFF- and JPEG-format images.  Naturally, it also enables adjustment of such aspects as white balance and exposure compensation for RAW images captured with Nikon digital cameras. Smooth collaboration with my Picturetown, Nikon’s image storage and sharing service, has also been achieved. What’s more, Nikon Transfer 2 has been incorporated into ViewNX 2 for transferring images to a computer, and functions for editing movies, including one that allows you to trim movie footage, have also been included.

Modifications enabled with version 2.2.5:

Modifications that apply to both the Windows and Macintosh versions

• Auto 2 is now available for selection from the list of White Balance settings in the Adjustments palette for RAW images captured with the COOLPIX P7100.
• An issue that prevented display of Exposure mode in the Metadata palette for images captured underwater in Easy Auto mode with the COOLPIX AW100/AW100s has been resolved.
• An Event box has been added under Description in the Metadata palette.
• Lens information is now displayed in the Metadata palette for images captured with the Nikon 1 V1 or Nikon 1 J1 using the Mount Adapter FT1 and a CPU lens.

Additional modifications to the Macintosh version

• Support for Mac OS X version 10.7 has been added.

Additional modifications to the Windows version

• An issue that prevented the editing of metadata, application of labels and/or ratings, or image rotation on some systems has been resolved.

Get it here

Rumours have been flying around for a while. Thom Hogan’s logic about the life cycle of Nikon models and their launch times makes sense as is his question as to who will buy the D4 is also pertinent as it means that delivery will not be in the 100′s of thousands. The D800 (D700 replacement) and a successor to the D300s would be more important to Nikon. The only curve ball has been the Tsunami in Japan and the flooding in Malaysia which has set them back a few months. Expect an announcement at the PMA show in Las Vegas (January 10-13, 2012).

Here are a few specs gleaned from the web (scary right?) from sources that are generally on the ball. The D4 would be competing with the Canon EOS 1Dx.

16.2 MP (18Mp?)
11 fps
Shutter durability up from 150,000 to 300,000 (A real guess)
100 to 102,400 native ISO range, expandable to 50 and 204,800
Face detection/recognition function that will work in the viewfinder (Nikon has submitted several viewfinder patents)
Improved video, possibly 1080p/30/25/24 fps and  720p/60/30/25/24 fps similar to the expected Nikon D800
Uncompressed video out through an HDMI port
Ability to assign the two front body buttons to smooth aperture control during video recording
Compatible with a new Nikon WT-5 wireless transmitter to replace the 2007 WT-4a
Ethernet integrated in camera (wired tethered shooting?)
Expeed 3
USB 3.0
Improved 51 AF points
AF detection range will go down to EV-2.0 (the D3s went to EV -1)
Autofocus system: 9 cross-type sensors operational up to f/8
Compact Flash + XQD memory card slots.

Gear I use: Bodies: Nikon D-SLR’s / Lenses: Nikon, Sigma, Tokina, Vivitar /
Filters: Hoya UV & Polarizing / Flash: Nikon Speed-lights / Bag: Lowe Pro /
Tripods & Heads: Manfrotto / Grips, Triggers, Timers, Batteries: Phottix /
Editing Plug-in: Topaz Labs for Noise Reduction, HDR.